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Rambhadracharya's literary style
Jagadguru Ramanandacharya Swami Rambhadracharya is a Hindu religious leader, Sanskrit scholar and ''Katha'' artist based in Chitrakoot, India. Rambhadracharya is a spontaneous poet and writer in Sanskrit, Hindi, Awadhi, Maithili, and several other languages.〔Dinkar 2008, p. 39.〕 He has authored more than 100 books and 50 papers,〔 including four epic poems, a Hindi commentary on Tulsidas' ''Ramcharitmanas'', a Sanskrit commentary in verse on the Ashtadhyayi, and Sanskrit commentaries on the Prasthanatrayi scriptures.〔Dinkar 2008, pp. 40–43.〕 He is regarded as one of the greatest authorities on Tulsidas in India,〔Prasad 1999, p. xiv: "Acharya Giridhar Mishra is responsible for many of my interpretations of the epic. The meticulousness of his profound scholarship and his extraordinary dedication to all aspects of Rama's story have led to his recognition as one of the greatest authorities on Tulasidasa in India today ... that the Acharya's knowledge of the Ramacharitamanasa is vast and breathtaking and that he is one of those rare scholars who knows the text of the epic virtually by heart."〕 and is the editor of a critical edition of the Ramcharitmanas.〔Rambhadracharya (ed) 2006.〕
Many Sanskrit and Hindi authors have critiqued and reviewed the works and the literary style of Rambhadracharya, prominent among them being Kalika Prasad Shukla, Rewa Prasad Dwivedi, Devarshi Kala Nath Shastry and Abhiraj Rajendra Mishra. In his conversations and speeches, Rambhadracharya often employs extemporaneously composed verses in ''Upajāti'' metre and the ''Daṇḍaka'' style with long adjectives. In his poems, the three classical styles of ''Pāñcālī'', ''Vaidarbhī'' and ''Lāṭī'' are dominant. Some distinguishing features of his Sanskrit poetry include use of rhyme (''Antyānuprāsa''), employment of a variety of metres including many Prakrit and Hindi metres, new usages, and the ''Gīti'' style. Rambhadracharya is credited with reviving the letter-poem (''Patrakāvya'') genre in Sanskrit after 2000 years. His Sanskrit commentaries have a broad coverage with theories supported by evidence, novel interpretations, elaborate derivations, and an independent style with quotes from the works of Tulsidas accompanied by Sanskrit poetic translations. His Hindi lyrical works follow the Bhojpuri tradition with emphasis on both the aesthetics and emotion. Optimism, devotion to motherland, and patriotism are some more features of his works which are seen in several poems and plays.
==Overview==
Rewa Prasad Dwivedi writes in his Sanskrit poem dedicated to Rambhadracharya that he is an encyclopedia of learning whose literature is like numerous Narmada rivers flowing out simultaneously, and in whose literary works Shiva and Parvati delight while performing Tandava and Lasya.〔Dwivedi, Rewa Prasad. "विलसन्ति रामभद्राः (revered Rambhadracharya is resplendent )" (in Sanskrit). In Sharma, Sushil and Shrivastav (2011), pp. 643–648. "येषामास्यमहाभ्रकूटशिखरादाविर्भवन्त्येकदैवानेकाः खलु नर्मदास्त्रिजगतीं सम्प्लावयन्त्यो गिरः। तेषां वस्तु किमस्तु दुर्लभमिह श्रीरामभक्तः शिवो यद्वाचां प्रसरेषु नृत्यति मुदा देव्या भवान्या समम्॥", "तं सारस्वतकोशमद्भुतमिमं श्रीरामभद्राभिधं किं सम्भावयितुं क्रमेत न सुधीप्रज्ञावतां मण्डलम्॥".〕
Devarshi Kala Nath Shastry writes in his review of Rambhadracharya's works that Rambhadracharya is an accomplished and eloquent poet who is the foremost among scholars and is also well-versed in all scriptures. Shastry writes that among Sanskrit poets, only Śrīharṣa (poet of ''Naiṣadhīyacaritam'') has been described as having such wonderful command over Sanskrit as Rambhadracharya has.〔Shastry, Devarshi Kala Nath. "अलौकिक प्रतिभा को श्रद्धार्घ्य (reverential offering to a superhuman talent )" (in Hindi). In Sharma, Sushil and Shrivastav (2011), pp. 643–648.〕
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